Joan Greenwood pictures

Joan Greenwood grins in the sunlight for the camera aboard the ’Abercorn’, a Thames pleasure steamer

Joan Greenwood (as Lottie Smith) and Catherine Lacey (as Miss Cater) in a photograph from The White Unicorn (1947) (66)

Relaxing on the deck of the ’Abercorn’, a Thames pleasure steamer, attractive Joan Greenwood serenely sails past Battersea Power Station

British actress Joan Greenwood and the Master of the ’Abercorn’, a Thames pleasure steamer, pose for the camera

Joan Greenwood smiles contentedly underneath Big Ben

Photograph of Joan Greenwood (49)

Joan Greenwood (as Lady Ashwood) in a photograph from Moonfleet (1955) (100)

Joan Greenwood, Bruce Seton and Mary McNeil starring in the Ealing Studios comedy ’Whisky Galore!’ (1949), directed by Alexander Mackendrick

Attractive Joan Greenwood takes a day off from filming in John Corfield’s The White Unicorn. In the shade of the old courtyard of Hampton Court, she pauses to look at the former royal apartments in which the ghost of Anne Boleyn is still said to walk

Leaning on the rails of the ‘Abercorn’, a Thames pleasure steamer, attractive Joan Greenwood watches the Houses of Parliament and Westminster Abbey glide past. Joan is taking a day off from filming The White Unicorn for John Corfield.

Attractive, blonde Joan Greenwood walking down Horse Guards Parade admires the guard’s beautiful black horse. Joan takes a day off from filming John Corfield’s The White Unicorn to do some sightseeing in London

Lovely, petite, golden-haired Joan Greenwood takes a day off from filming in The White Unicorn to pay a visit to the Victoria and Albert Museum. Daughter of a well-known artist, she takes a keen interest in the wonderful tapestries

When Joan Greenwood visited the French tapestry exhibition at the Victoria & Albert Museum, she was overwhelmed by the beauty of the famous ‘Lady and the Unicorn’ tapestry. She is especially interested in unicorns as her present film is John Corfield’s The White Unicorn.

Joan Greenwood, one of the stars of The White Unicorn, amuses herself with an old barrel organ while on location in Hammersmith for shots of a dockland city. Joan plays the role of Lottie, a slum girl who never has a real chance in life

Joan Greenwood (as Lottie Smith) in a photograph from The White Unicorn (1947) (62)

On the steps of Eros in Piccadilly, attractive Joan Greenwood buys a buttonhole from Emmy, London’s most famous flower seller

Joan Greenwood (as Lady Warren) and Peter Finch (as Flambeau) in a photograph from Father Brown (1954) (13)

Joan Greenwood at the Ideal Home Exhibition, London in the 1940s

Joan Greenwood (as Lottie Smith) in a photograph from The White Unicorn (1947) (61)

Joan Greenwood (as Jenny Carden) and John Mills (as Jim Ackland) in a photograph from The October Man (1947) (4)

Joan Greenwood (as Sibella) and Dennis Price (as Duke Louis Mazzini/ Mazzini Sr./ Narrator) in an Argentine photograph from Kind Hearts and Coronets (1949) (16)

Lottie Smith (Joan Greenwood), who has been remanded on a charge of attempting to murder her child and commit suicide herself, asks the warden of the remand home, Lucy Glover (Margaret Lockwood) what she knows about unhappiness. ‘Quite a lot,’ retorts Lucy, who is separated through divorce from her own child

Lucy (Margaret Lockwood) decides to fight Lottie’s (Joan Greenwood) case. When she is brought up at the assizes, the judge is Lucy’s ex-husband, Philip Templar. Lucy’s eloquent plea in which she appeals for a chance for Lottie Smith, the little slum girl who never had an opportunity, softens Philip. In cross examination he seems to be questioning Lucy rather than Lottie. Lottie is bound over and allowed custody of her child. Her relief is obvious when she flings her arms around Lucy, thanking her for putting her on the road to happiness

Joan Greenwood (as Lottie Smith) in a photograph from The White Unicorn (1947) (47)

Lucy Glover (Margaret Lockwood) is warden of a remand home for girls. A new arrival, Lottie Smith (Joan Greenwood, seated left), has appointed herself ring leader of the girls and is rapping on the table with a spoon. Lottie, product of the slums, has been remanded on a charge of attempting to murder her child and commit suicide herself. Lucy wins her confidence and she tells the story of her life: she had a drunken father, a sluttish mother and five young brothers and sisters – all living in one room

Lottie Smith (Joan Greenwood) walks slowly out of the doctor’s surgery after learning that she is about to become a mother

The counsel asks Lottie Smith (Joan Greenwood) whether she pleads ‘guilty’ or ‘not guilty’ to the attempted murder of her baby. (1)

Cahiers du Cinéma magazine with Gerard Philipe and Joan Greenwood in Knave of Hearts. 1954, issue number 35. (French)

Paul (Paul Dupuis) invites Lottie Smith (Joan Greenwood) to tea at his flat, after which he proceeds to make love to her. At first she is frightened, but he makes her feel at home and she succumbs

Lottie (Joan Greenwood) tells Paul (Paul Dupuis) that she is going to have a baby. Paul pleads with her to be sensible; he says she is trying the old game to make him marry her

Lottie Smith (Joan Greenwood) is terrified when her father comes home drunk. She lives with her mother, father and four other children in one dirty, squalid room. There is no privacy, nowhere to be alone

Lottie Smith (Joan Greenwood) wheels the ramshackle pram containing her younger brothers and sisters down the streets of a dock city in which she ‘lives’ in sordid surroundings. Lottie tells this episode in her life to the warden of the remand home to which she is later sent on a charge of trying to murder her child and commit suicide herself.

Joan Greenwood (as Susan) and Bourvil (as Leon Dutilleul) in a screenshot from Mr. Peek-a-Boo (1951) (3)

Gerard Oury (as Maurice) and Joan Greenwood (as Susan) in a screenshot from Mr. Peek-a-Boo (1951) (2)

Film magazine with Joan Greenwood and Michael Redgrave in The Importance of Being Earnest. (German). Ernst sein ist alles.

Funk und Film magazine with Joan Greenwood. 1952, issue number 26. (German)

Gérard Philipe (as Andre Ripois) and Joan Greenwood (as Norah) in a photograph from Knave of Hearts (1954) (3)

Joan Greenwood (as Gay Hardwicke) in a screenshot from A Girl in a Million (1945) (2)

Joan Greenwood (as Lady Ashwood) in a photograph from Moonfleet (1955) (10)

Film Complet magazine with Joan Greenwood and Stewart Granger in Saraband for Dead Lovers. 28th September, 1950, issue number 225. (French)

Joan Greenwood at the Ideal Home Show Exhibition, London, in the 1940s

Photograph of Joan Greenwood (40)

Photograph of Joan Greenwood (39)

Joan Greenwood (as Lottie Smith) in a photograph from The White Unicorn (1947) (17)

Where magazine with Eduard Franz, Joan Greenwood, and Alfred Drake in The Importance of Being Earnest. 19th November, 1966.

Film Complet magazine with Peter Bull and Joan Greenwood in Saraband for Dead Lovers. 28th September, 1950, issue number 225. (French)

Cine Monde magazine with Joan Greenwood and Bourvil in Mr. Peek-a-Boo. 1950. (French)

Photograph of Joan Greenwood (38)

Joan Greenwood chats with painter Augustus John (1878 – 1961) and sculptor Barney Seale between scenes of the Ealing Studios production of the film ’Saraband For Dead Lovers’

Joan Greenwood (as Sibella) and Dennis Price (as Duke Louis Mazzini/ Mazzini Sr./ Narrator) in a photograph from Kind Hearts and Coronets (1949) (14)