Silver Sirens
Productions
Seven Days to Noon (1950)

Main title from Seven Days to Noon (1950) (1). The Boulting Brothers’ production. This film is fictitious and any similarity to any incident or person living or dead, is coincidental — Seven Days to Noon (1950) opening credits (1)

Seven Days to Noon

| Film | 1950 | UK | B&W | Drama, Thriller | 1h 34min |

Stars: Barry Jones, Olive Sloane, André Morell

A professor engaged on atomic research threatens to blow up London unless his work is brought to an end

Cast (15)

+ Show full cast (5 more)

Director

John Boulting

Roy Boulting

Producer

John Boulting

Roy Boulting

Peter De Sarigny

Writer

Frank Harvey (screenplay)

Roy Boulting (screenplay)

Production companies

London Film Productions

Boulting Brothers

British Lion Film Corporation

Pictures (13)

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Main title from Seven Days to Noon (1950) (11). And the citizens of London — Seven Days to Noon (1950) opening credits (11)

Main title from Seven Days to Noon (1950) (11). And the citizens of London.

Main title from Seven Days to Noon (1950) (10). The producers gratefully acknowledge the co-operation of The War Office Metropolitan and City of London Police, British Railways (Southern Region), London Transport Executive, Port of London Authority, The Automobile Association, The Royal Automobile Club — Seven Days to Noon (1950) opening credits (10)

Main title from Seven Days to Noon (1950) (10). The producers gratefully acknowledge the co-operation of The War Office Metropolitan and City of London Police, British Railways (Southern Region), London Transport Executive, Port of London Authority, The Automobile Association, The Royal Automobile Club.

Main title from Seven Days to Noon (1950) (9). Produced directed and edited by Roy and John Boulting — Seven Days to Noon (1950) opening credits (9)

Main title from Seven Days to Noon (1950) (9). Produced directed and edited by Roy and John Boulting.

Main title from Seven Days to Noon (1950) (8) — Seven Days to Noon (1950) opening credits (8)

Main title from Seven Days to Noon (1950) (8).

Main title from Seven Days to Noon (1950) (7). Distributed by British Lion Film Corporation produced at London Film Studios, Shepperton, England — Seven Days to Noon (1950) opening credits (7)

Main title from Seven Days to Noon (1950) (7). Distributed by British Lion Film Corporation produced at London Film Studios, Shepperton, England.

Main title from Seven Days to Noon (1950) (6) — Seven Days to Noon (1950) opening credits (6)

Main title from Seven Days to Noon (1950) (6).

Main title from Seven Days to Noon (1950) (5) — Seven Days to Noon (1950) opening credits (5)

Main title from Seven Days to Noon (1950) (5).

Main title from Seven Days to Noon (1950) (4) — Seven Days to Noon (1950) opening credits (4)

Main title from Seven Days to Noon (1950) (4).

Main title from Seven Days to Noon (1950) (3) — Seven Days to Noon (1950) opening credits (3)

Main title from Seven Days to Noon (1950) (3).

Main title from Seven Days to Noon (1950) (2). Screenplay by Frank Harvey and Roy Boulting from an original story by Paul Dehn and James Bernard — Seven Days to Noon (1950) opening credits (2)

Main title from Seven Days to Noon (1950) (2). Screenplay by Frank Harvey and Roy Boulting from an original story by Paul Dehn and James Bernard.

Main title from Seven Days to Noon (1950) (1). The Boulting Brothers’ production. This film is fictitious and any similarity to any incident or person living or dead, is coincidental — Seven Days to Noon (1950) opening credits (1)

Main title from Seven Days to Noon (1950) (1). The Boulting Brothers’ production. This film is fictitious and any similarity to any incident or person living or dead, is coincidental.

Superintendent Folland (André Morell) in a scene from the Boulting brothers’ 1950 film, Seven Days to Noon — André Morell as Superintendent Folland in Seven Days to Noon (1950)

Superintendent Folland (André Morell) in a scene from the Boulting brothers’ 1950 film, Seven Days to Noon.

A deserted Westminster bridge and Big Ben form the background as an army truck stops a woman and her dog out during curfew. A scene from Seven Days to Noon (1950) — An army truck stops in front of Big Ben in Seven Days to Noon

A deserted Westminster bridge and Big Ben form the background as an army truck stops a woman and her dog out during curfew. A scene from Seven Days to Noon (1950).

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